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Simbiose

 

 

|-> Simbiose CD: Listen
|-> Buy online – FNAC
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Cinema – Enrique Otero

 

Ialma | Cinema

 

When the art goes further and meets the technology, perfect balanced images appear as the expression of modernity, as the polishment
that fills the firmament with lights and colors. Collage for our senses, senses that interact due to such a quantity of knowledge
and make change the reality. It is a pleasure to feel that someone so close can build alternative dreams, hide the dark side of the real world and be a magician. Just wonderful !

6AM

Hiding in the sheets
You thought you could do no matter what
You were only talking to yourself
You were only loving yourself

Whatever your anger says, it does not have a place in here
I don’t want to hear you any more, I don’t want to love you
any more
I cannot see you, don’t call this love
I don’t want to hear any more, I just don’t want you

Looking into your disdain
In your lack of sadness
Receiving through my eyes
Bad words from you

Whatever your anger says, it does not have a place in here
I don’t want to hear you any more, I don’t want to love you
any more
I cannot see you, don’t call this love
I don’t want to hear any more, I just don’t want you

Receiving your shouts
And the anger of your lost soul
I can see with my eyes
You damned life

I hear your moan
You ask for pardon and you demand it
And deeper and deeper
You beat my heart

Whatever your anger says, it does not have a place in here
I don’t want to hear you any more, I don’t want to love you
any more
I cannot see you, don’t call this love
I don’t want to hear any more, I just don’t want you

Casa de Xantar O Dezaseis – Gastronomía

 

Ialma | gastronomia

 

Once you leave Brussels, you can access the city of Santiago following the French path of the Pilgrimage, walking San Pedro street.
Ialma landed there several years ago. Talks and friends. The best pies and endless bottles of wine. They could say that their homesickness appeared in the kitchen, that their sadness was bigger eating peppers and sardines, octopus and meat. Place of happiness where the dreams come true. It is so healthy to sing with a full belly !

Baile – Marco Mendez

 

Ialma | Baile

 

There is nothing that can touch us more that being witnesses of the success of a friend of our childhood. It is so moving to see how somebody can expand his mind and body and be able to dance muiñeiras with the same ability than hiphop.
His joy is ours. That’s why we dedicate him these words:« For that boy who is dancing,/ for that who entered just some minutes ago,/ I will dance the whole night. » Dance, guy !

Deseño – David Aranda

 

Ialma | Deseño

 

Nobody like him knows every fold of our distinct bodies, every bend, every single fear and shiver just before to come up to the stage. Without him, his ideas and creations, the full soul of Ialma will shake and fall in pieces, as a castle of sand that crumbles by the very force of ocean waves.

Arte Urbana – El Puto Coke

 

Ialma | Arte Urbana

 

He arrives from the land of one thousand rivers to this point in the map of cold, warming all of us with his magnetic tunes. He did what he pleasures him more: to be free and to enjoy thesecrets and detours, the bends and the summersets of colorful music. He does not yet know or he pretends that he doesn’t, but he is a crack, always ready for the party.

100 voltas

Fuck off!
Don´t look at me like somebody in particular
Pandeiretas, micros, turntables
People that do not like it, they are not welcome

What the fuck! Tradition together with the new staff
I am just bringing the feeling of the people
Dancers burning the dancefloor
Show how you can move or go away!

It´s obvious, this is insane
Every one of us is a party animal
This is where, now is when
Right now is right now, don’t wait
Forget the tendency, it´s you who decides today
I am a Galician, that´s how I feel

Ialma and Puto Coke,
Fuck off! OK??!

Artesanía – Obradoiro Seivane

 

Ialma | Artesanía

 

The most well appreciated Masters are those who practise the art of simplicity and perfection. If there are Masters of tastes, we can confirm that Seivane’s family get the title of Masters of sounds. They are who make magic bagpipes, bagpipes that sound by themselves when the wind touchs very softly the instrument, when a bird rests in the bag. Bagpipes to dream !

Humor – Carlos Bianco

 

Ialma | humor

 

Let’s remember that magic moment in the high altar of the Galician folk music, Casa das Crechas, in Santiago. It was there where Carlos Blanco, a honest bearded man, raised his voice to state: Here you are « Ialma 4×4 », the « tank girls of the Galician folk music », the girls who arrived from the afterlife, girls that make the pandeiretas sound and receive the clamor of the public wherever they sing. Carlos said that with humour and love, the two things that we have more respect for.
Laughs and love !

Dance like a Galician

Days are longer, summer is coming
Don’t you feel the atmosphere?
Today is the big day
we have a parking-land

Eat, laugh, enjoy until you get
enough
even the bread is tasty here
buy some cookies OU-E-O
it’s gonna be a good night, come
to dance

Put your hands up with the sound
of the bagpipes
AI-LA-LE-LO

DANCE LIKE A GALICIAN

If it is a cloudy day, take it easy
wait until the afternoon, it will be sunny
and if it is raining OU-E-O
go to Santiago and you will see

Go for a trip in a truck
and put some gas, first and go
Look for the pepper OU-E-O
it will be spicy if you are lucky

Summer means to be relax
AI-LA-LE-LO
DANCE LIKE A GALICIAN

Buy a tropical shirt
put your cottage and make advances
take some bronze
make a tattoo or a piercing

Dance a dance or another
come to the group and enjoy
look at that guy OU-E-O
the way he moves, the way he looks

Stay until the grape harvest
smash some grapes, you will flip out
make cheers on the sand OU-E-O
the sunset will leave you blind

When you´ll have to leave
AI-LA-LE-LO
you will have to come back
JUST LIKE A GALICIAN

Literatura – Xavier Queipo

 

Ialma | literatura

 

The one who writes and tells, the one who after the show can define with elegant words what others could not describe. The rhythm goes from the feet to the keyboard creating a melody of words, a deep song that comes from the chest. Lover of music, companion in the emigration and in the defense of our so much threatened language, considered by us as a treasure.
Thanks so much, amigo !

Grixoa

I will tell you with this song
I will tell you with this song
What words couldn’t define
All the sadness is well over

I come out to the world to sing
With my eyes full of feelings
Here I arrived with hope
Carrying a pain in my chest

I come out to the world to get
What homeland could not provide
I’ve worked hard
As nobody gave anything for free

When I’ll be back to Grixoa
Fresh summer at the river basin
My eyes will be clean at last
In the Lagarteiras’ magic fountain.

Viticultura – Adega Terras Gauda

 

Ialma | Viticultura

 

There is nothing better to party than a good wine and the best company. From the wine to the singing. So, something that started as friendship ends like a brotherhood. If it is José María Fonseca, the head of Terras Gauda, who offers the wine, and if it is Ialma who sing so, then, everybody can shout:
Let’s start the party !

Debuxo – Serxio Cobos

 

Ialma | Debuxo

 

Dancing with the legs as with the hands he dances, drawing in the air lines and shadows. Coming from the thunder of music, he was oozing in lines our very essence meanwhile we were singing loud.
If there is something in common between dancing and drawing, this is no doubt the taste for color and the shadows moving.

Na iauga – 100 Voltas – Carraskashion

 

Ialma | Miscellaneous

 

Na iauga

Colin ten unha pita que pon cada mañá
Colin ten unha pita que pon cada mañá
ela que fixo a posta no palleiro do Adrán.

Adrán colleu o engazo, deulle un moquetón
Adrán colleu o engazo, deulle un moquetón
e cociñou o guiso pra festa do patrón.

Na iauga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.

Todos os da parroquia foron molla-lo pan
Todos os da parroquia foron molla-lo pan
tamén o señor cura, el-e meteu a man.

Na iauga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.
Auga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.

O mollo estaba tan rico, todo el-e se pringou
O mollo estaba tan rico, todo el-e se pringou
dedos, peito e bandullo, ren de limpo lle quedou.

Na iauga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.
Auga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.

Fixo perder a misa a todos os parroquiáns
Fixo perder a misa a todos os parroquiáns
A todas as velliñas, tamén ós lacazáns.

Na iauga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.
Auga, tamén no río e do mar na ribeira
auga, tamén no río, liña da volanteira.

A toutes ces bonnes p’tites vieilles qui en ont tant de besoin
A toutes ces bonnes p’tites vieilles qui en ont tant de besoin
Ainsi finit l’histoire de la poule à Colin

Sur l’eau, sur la rivière, sur le bord de la mer
Sur l’eau, sur la rivière, sur le bord du vaisseau

100 Voltas

Non me toque-la puñeta
non me toque-la puñeta, ai la
xa me dixo miña nai que bailara a muiñeira

Ai la la la la la ai la la la la
ai la la la la la ai la la la la
la la la

Bailador baila lixeiro
bailador baila lixeiro
un bailador coma ti inda non foi ó torreiro

Ai la …

Baila queridiño baila
que me da gusto te ver-e, ai la
o donaire do teu corpo chega ben pra te manter-e

Ai la …
Baila como has de bailar-e
non andes facendo a risa
que antes de saír ó baile has de saca-la camisa

Ai la …

A ruadiña vai boa
ela non ha de perder-e, ai la
quen non ten amores nela deseara de os ter-e

Ai la …

Carraskashion

O xogo da carrasquinha
é un xogo así ó lado
o xogo da carrasquinha
é un xogo así ó lado

Beixar os ollos á terra
todo o mundo fica ademirado
Beixar os ollos á terra
todo o mundo fica ademirado

A Matilda sacude a saia
a Matilda levanta o dedo
a Matilda sacude a saia
a Matilda levanta o dedo

Dame un bico Maruxinha
que eu che darei un abrazo
dame un bico Maruxinha
que eu che darei un abrazo

Ai! que vida é a nosa
dar beijinhos, dar abrazos

Songs

 

Ialma | Veronica Codesal | songs

 

Ialma Torna

A Santa Maria dadas
sexan lores onradas

Loemos a sa mesura
seu prez e sa postura
e seu sen e sa cordura
mui mais ca cen mil vegadas

A Santa Maria dadas
sexan lores onradas

Loemos a sa nobreza
sa onrrae e sa alteza
sa merce e sa franqueza
e sas vertudes preçadas

A Santa Maria dadas
sexan lores onradas

Loemos seu cousimento
conse lle castigamento
seu ben se eu ensinamento
e sas graças muigradas

A Santa Maria dadas
sexan lores onradas

Loando a que nos valla
lle roguemos na batalla
do mundo que nos traballa
e do dem a denodadas

A Santa Maria dadas
sexan lores onradas

Simbiose

Corazón por corazón-e
o meu non deixes de amar-e
mira que o meu corazón-e
inda non hei de deixar-e

Ai la, ai la la la la la ra la la
Ai la la la la la la la
Ai la la ra la la la

Hei de escreber unha carta
na cascada melancía
quen ten o amor soldado
chora de noite e de día

Ai la …

Quen me dera o que eu quería
quen me dera o que eu quería
quen me dera de trocar-e
tristura por alegría

Ai la …
Eu caseime, cativeime
troquei a prata por cobre
troquei miña liberdade
por moeda que non corre

Ai la …

Inda lle hei de preguntar-e
a ese que me bailou-e
en que lugar foi nacido
en que lugar se criou-e

Ai la …

Este tocar non me gusta
este tocar non me agrada
este tocar non me gusta
gústame quen o tocaba

Ai la …

Vals 10

Se é que canto porque canto
se é que río porque río
se é que canto porque canto
se é que río porque río
se adevírtome son tola
teña calor teña frío

Quen me dera unha nai-e
anque fora dunha silva
quen me dera unha nai-e
anque fora dunha silva
e anque ma silva picara
sempre i-era a súa filla

Silva verde non me prende
mira que non me aseghura
silva verde non me prende
mira que non me aseghura
mira que xa teño roto
outras cadeas máis duras

Se é que canto porque canto
se é que río porque río
se é que canto porque canto
se é que río porque río
se adevírtome son tola
teña calor teña frío

Mira que xa teño roto
outras cadeas máis duras

Adiós que me vou do mundo
porque a terra me chama
adiós que me vou do mundo
porque a terra me chama
deixo o testamento feito
que me enterren na túa cama

Voltar

Bailade no agarrado
bailade no agarrado
pouco me importa o que digan
quero bailar ó teu lado
quero bailar ó teu lado

Ai a la la ai a la la a

Vinde mociños ó baile
vinde que festa non ha faltar
vinde mociños ó baile
e lembraivos en voltar

Se soubera que ti dabas
pasadiñas por me ver-e
tamén eu daba palabra
doutros amores non ter-e
doutros amores non ter-e

Ai a la la ai a la la a

Vinde mociños ó baile
vinde que festa non ha faltar
vinde mociños ó baile
e lembraivos en voltar

Para bailar veño eu-e
para bailar meu irmao-e
pra toca-lo acordeón-e
viva quen o ten na mao-e
viva quen o ten na mao-e

Ai a la la ai a la la a

Vinde mociños ó baile
vinde que festa non ha faltar
vinde mociños ó baile
e lembraivos en voltar

Xota do Amencer

Por te ver ando de noite
por te ver de madrugada
por te ver ando decote
ti por min non andas nada

Dille que suspiro e choro
dille que vivo morrendo
dille que se compadeza
do mal que estou padecendo

Ai amor, ai amor, ai amante
anque queira non podo olvidarte
ai amor, ai amor, ai consolo
anque queira olvidarte non podo

O loureiro raíz de ouro
bota folliñas de prata
coller amores non custa
olvidalos sí que mata

Vouvos da-la despedida
vouvos da-lo parabenhe
vouvos da-la despedida
que ma dan a min tamén-e

Album :

 

Ialma | booklet

 

IALMA: (vocals, pandeiretas & percussions) :
Nuria ALDAO, Natalia CODESAL, Veronica CODESAL, Magali MENENDEZ, Marisol PALOMO
Musicians :
Pascal CHARDOME: guitar, piano, fender rhodes, programming – tracks 1, 2, 3, 4, 5, 6, 7, 9, 10 & 11
Didier LALOY: diatonic accordion – tracks 1, 2, 3, 4, 5, 6, 7, 9 & 11
Frédéric MALEMPRE: drums & percussions – tracks 1, 3, 4, 6, 7, 8, 9 & 11
Bo WATERSCHOOT: Bass – tracks 1, 2, 3, 4, 6, 7, 9 & 11
Ad COMINOTTO: programming & percussions – tracks 2, 5, 7 & 11
Didier FONTAINE: drums – track 1
Osvaldo HERNANDEZ: percussions – track 5
El PUTO COKE: rap & programming – track 5
Carlos BLANCO: vocal – track 7
Bert JORIS: trumpet & bugle – tracks 1 & 9
Luc PiILARTZ: violin – tracks 3, 5 & 9
Stephane KRAEMER: programming – track 1
Bruno FEVERY: electric guitar – track 2
Gregorio MELGOSA: gaita – track 7
David VALDES: gaita – track 7
ZEFIRO TORNA (Liam Fennelly : fiddle / Jowan Merckx :
recorder alto & soprano, bagpipe from center of France
in G / Jurgen De Bruyn : medieval lute) – track 8
Coro ‘Obradoiro Vocal A Vila’ dir: Alberto Abal – track 9
Jules FRADET: percussions – track 1
Ad COMINOTTO: artistic producer on tracks 2, 5, 6, 7 & 11
Pascal CHARDOME: artistic producer on tracks 1, 3, 4, 8, 9 & 10

Recorded in 2010 at the studio FACTASY by Rudolph HECKE (tracks 1, 2, 3, 4, 5, 6, 7, 8, 9 & 11), OMP
Studios by Colin BURTON (tracks 1 & 9), Studio POLY-SONS by Pascal CHARDOME (tracks 1, 3, 4, 5 & 9),
studio DADA by Jules FRADET (tracks 3 & 10), Estudios CONTROL Z by Ramon CAMPOS (track 12), and
studio ZEFIRO TORNA by Stephan KRAEMER (track 8).
Additional recording at studio COMMUSIC by Ad COMINOTTO (tracks 2, 6, 7 & 11), live recording by Marco
GUDANSKI (track 10) & Pablo BARREIRO RIVAS for the recording of the Coro “Obradoiro Vocal A Vila”.
Mixed by Stephan KRAEMER and Pascal CHARDOME at studio IMPULS (tracks 1, 3, 4, 8, 9 & 10)
Mixed by Michel (Chelle) DIRICKX and Ad COMINOTTO at studio ICP Brussels (tracks 2, 5, 6, 7 & 11)
Mastered at studio EQUUS by Pieter DE WAGTER & Poney GROSS.

All photos: Lieve BOUSSAUW
Except for the cover CD, CD label, under CD label & Artesania photo:
Olivia DROESHAUT for DYOD
Literatura photo: Agnes PUNZET
Ialma’s illustrations of Carraskashion: Serxio COBOS
Texts: Xavier QUEIPO
Artwork : Luis BARBOLLA

Executive producers: IALMA & Poney GROSS
Producers: IALMA Música & ZIG ZAG WORLD

Magali, Marisol, Natalia, Nuria and Veronica thank their family for support-loveinspirations,
Charra, Ad, Pascal, all the great musicians who have played with her
during these 10 years and who are part of the Ialma’s history, a special thanks to
Serxio Cobos, for Voltar y Xota do Amencer, Patricia Blanco, Gregorio Melgosa for
his creativity, Katina Genero, Ilyas Macaluso & Xabi, Xurxo Fernandes, Quique Peón,
Uxía, Dorinda Castro, Marco Gudanski, TVG, la Communauté française de Belgique-
Secteur des musiques non classiques and at least Poney “El Manager”.

Tracks :

1. 6 AM (3:40)
A: Patricia Blanco Suarez – C: Veronica Codesal. Arr: Pascal Chardome / Didier Laloy / Frédéric Malempré
2. NA IAUGA (4:02)
A: Trad / Translation: Xavier Queipo – C: Trad. Arr: Adriano Cominotto / Veronica Codesal
3. Simbiose (3:51)
A: Trad – C: Trad / Didier Laloy / Pascal Chardome. Arr: Pascal Chardome / Veronica Codesal / Frédéric Malempré / Didier Laloy
4. VALS 10 (3:33)
A: Trad / Ialma – C: Trad / Pascal Chardome. Arr: Pascal Chardome / Veronica Codesal / Frédéric Malempré / Didier Laloy
5. 100 VOLTAS (2:55)
A: Trad / Jorge Cespedes Santos – C: Veronica Codesal / Pascal Chardome. Arr: Adriano Cominotto / Pascal Chardome
6. VOLTAR (3:45)
A: Trad / Ialma – C: Ialma – Arr: Pascal Chardome / Didier Laloy / Veronica Codesal
7. DANCE LIKE A GALICIAN ( 3:11)
A: Liam Sternberg – C: Liam Sternberg. Adaptation : Carlos Blanco / Arr: Adriano Cominotto / Pascal Chardome
8. IALMA TORNA (5:52)
A: Trad – C: TRAD – Arr: Liam Fennelly / Jowan Merckx / Jurgen De Bruyn
9. GRIXOA (3:57)
A: Xavier Queipo – C: Trad – Arr: Pascal Chardome
10. XOTA DO AMENCER (2:39)
A: Trad – C: Ialma – Arr: Pascal Chardome / Veronica Codesal
11. CARRASKASHION (3:09)
A: Trad – C: Trad – Arr: Adriano Cominotto / Veronica Codesal
12. PA’LA CATEDRAL ? (4:33)
A: Carlos Blanco

All songs published by ZIG ZAG WORLD & FOL MÚSICA / BOA, except ‘Dance like a Galician’ published by PEER Music
IALMA Música & ZIG ZAG WORLD. FOL MÚSICA / BOA this edition, exclusive license to the world.

International management :
ZIG ZAG WORLD – Poney GROSS · 2 Place Van Meenen. B-1060 Bruxelles / Belgium
T: +32 2 537 25 25. E: info@zigzagworld.be


21 Jan 2011

 

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